Sonny Landreth\u2019s 11th album, bearing the fittingly evocative title Elemental Journey, is something completely different from the Louisiana slide wizard. Released on his own Landfall label, the new CD is Landreth\u2019s first all-instrumental effort and his most adventurous work to date.<\/p>\n
\u201cFrom day one on the guitar, many genres of music have had an impact on me\u201d says Landreth. \u201cFor these recordings, I drew from some of those influences that I hadn\u2019t gone to on previous albums with my vocals. Trading off the lyrics this time, I focused solely on the instrumental side and all this music poured out. Then I asked some extraordinary musicians to help me layer the tracks in hopes of inspiring a lot of imagery for the listeners.\u201d<\/p>\n
Like its predecessor, From the Reach (2008), Elemental Journey features guest stars, in this case handpicked by Landreth for what each could bring to a particular aural canvas. Joe Satriani delivers an astonishing, ferocious solo on the audacious opener \u201cGaia Tribe,\u201d the returning virtuoso Eric Johnson casts his seductive spell on the dusky dreamscape \u201cPassionola\u201d and steel drum master Robert Greenidge brings his magical overtones to the balmy, swaying \u201cForgotten Story.\u201d<\/p>\n
Drummers Brian Brignac, Doug Belote and Mike Burch, each of whom Landreth has worked with in the past, lend their particular feels to various tracks, working with Sonny\u2019s longtime band members, bass player Dave Ranson and keyboardist Steve Conn. Tony Daigle, another key member of Sonny\u2019s team, engineered and mixed the album, while Landreth produced.<\/p>\n
\u201cOne of the things I\u2019ve always loved about a good instrumental song is that it can be more impressionistic and abstract,\u201d Landreth notes. \u201cThough melody is always important, it\u2019s even more significant with an instrumental. So what I wanted to achieve was something more thematic with lots of melodies and with a chordal chemistry that was harmonically rich. That\u2019s when I got the idea to treat the arrangements with more layering and to have the melodies interweave like conversations. I also wanted it to be more diverse, to not adhere to any categories. I wanted to leave it wide open to possibility.\u201d<\/p>\n
The album blossoms forth with unexpected yet seamless juxtapositions. For example, Spanish moss atmospherics enwrap visceral bursts of rock and jazz on \u201cGaia Tribe,\u201d and Sonny\u2019s slide swoops and soars over a Jamaican-inspired groove with Greenidge\u2019s Trinidadian pans on \u201cForgotten Story,\u201d while \u201cWonderide\u201d finds zydeco romancing classical.<\/p>\n
\u201cOn \u2018Wonderide,\u2019 you can hear some of Clifton Chenier\u2019s Creole influences and then it morphs into a classical motif with the strings playing more complex changes,\u201d Sonny points out. \u201cWhen I started experimenting with it, I realized that the tempo for a good zydeco groove could easily transition into the fingerpicking style of phrasing found in classical guitar music. Then it was a matter of adding the strings to give it more depth with tension and release, expanding the overall sound.\u201d<\/p>\n
Strings play a featured role on five of the pieces. The string arrangements by Sam Broussard\u2014moonlighting from his gig as guitarist in Steve Riley & the Mamou Playboys\u2014are played by members of Lafayette\u2019s own Acadiana Symphony Orchestra, conducted by its music director, Mariusz Smolij, a world-renowned maestro. The strings are employed in a particularly inventive way wherever they appear on Elemental Journey, frequently embellishing the tunings that Landreth uses for slide guitar\u2014\u201csometimes in unison like a horn section, sometimes as a legitimate quartet or full blown orchestra,\u201d Sonny explains.<\/p>\n
The concept occurred to him after Smolij invited him to perform with the Acadiana Symphony Orchestra for a 2005 Christmas show on which he played Bach\u2019s Cantata 140. \u201cIt was something I\u2019d always wanted to do,\u201d says Sonny. \u201cI\u2019d played the trumpet in school band and orchestra from grade school through college, so I was exposed to classical music and jazz, but I\u2019d never played anything like that on slide guitar! So that really fired me up, and it became the backdrop for some of the classical influences on this album.\u201d<\/p>\n
There\u2019s a particularly thrilling moment in the first track,\u201cGaia Tribe\u201d,that occurs when two seemingly antithetical elements lock in an embrace. \u201cWhen I first heard Joe\u2019s solo,\u201d Sonny recalls, \u201cI went, \u2018This is incredible! I love it but it just comes up out of nowhere\u2014how am I gonna make it fit?\u2019 After talking to Joe,I realized this was a great opportunity to raise the bar creatively. That’s when I got the idea to double the surprise factor and have the strings make their first appearance for the album in the middle of his solo. The next thing I know,a song that had started out as kind of a simple surf thing had become this wild ride of an epic piece and one of my favorite productions.\u201d<\/p>\n
Landreth\u2019s music has always been evocative, a vibrant mixture of indigenous sounds and images informed by Delta blues and Faulkner alike. But here, by eschewing lyrics and vocals, he\u2019s located something especially pure and unfettered. \u201cWhat I\u2019d hoped to end up creating was sonic stories without words,\u201d he says. \u201cAnd because there are no lyrics, it\u2019s really important to connect on an emotional level. All of the titles for these songs have meaning for me\u2014some of them are impressions from post-Katrina, Rita, the Gulf Spill, friends of mine and their experiences\u2014so that\u2019s part of it too. Still,I want listeners to feel something that resonates with them personally. I\u2019ve always tried to make music that had depth in that way. It\u2019s a challenge but when it works, it\u2019s more compelling because it engages you on a deeper level.\u201d<\/p>\n
Prepare to be engaged\u2026 and transported.<\/p>\n","protected":false},"excerpt":{"rendered":"
Sonny Landreth\u2019s 11th album, bearing the fittingly evocative title Elemental Journey, is something completely different from the Louisiana slide wizard. Released on his own Landfall label, the new CD is Landreth\u2019s first all-instrumental effort and his most adventurous work to date. \u201cFrom day one on the guitar, many genres of music have had an impact […]<\/p>\n","protected":false},"author":295,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-1648","post","type-post","status-publish","format-standard","hentry","category-press_releases"],"_links":{"self":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts\/1648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/users\/295"}],"replies":[{"embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1648"}],"version-history":[{"count":0,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts\/1648\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1648"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1648"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}