{"id":1670,"date":"2012-05-14T10:33:57","date_gmt":"2012-05-14T10:33:57","guid":{"rendered":""},"modified":"2012-05-14T10:33:57","modified_gmt":"2012-05-14T10:33:57","slug":"","status":"publish","type":"post","link":"https:\/\/www.livestagemusic.com\/?p=1670","title":{"rendered":"Shakespeare: The sonnets"},"content":{"rendered":"<p>This is certainly an interesting concept &#8211; to take some of the best known classics from English literature &#8211; the words of William Shakspeare, and to turn them into songs by setting them to music.  It&#8217;s one of those ideas that could work brilliantly well, or be a total failure.<br \/>\nAs if setting the words to music wasnt a big enough challenge, the decision was taken to use only instruments that would have been around in Shakespeare&#8217;s time.  As you can imagine, finding suitable working instruments must be a pretty big challenge, as is finding people to play them, but Robert Hollingworth, director of vocal ensemble I Fagiolini (also a judge on the UK s Choir of the Year and involved in a number of films) has managed it and brought together a group of musicians able to play period instruments to make this album.  Singers from around the UK make up the rest of the people brought in to make the project a reality.<\/p>\n<p>All the lyrics are Shakespeare&#8217;s own and no additions made, although occasionally lines have been moved around to fit the contemporary song structures.<br \/>\nThe songs are all very well written and performed and could stand up as good songs even if you ignored the lyrics.  They really do add a whole new dimension to the words of Shakespeare though.  The songs range from pop to folk, to choral covering a wide spectrum but all sound very good.<\/p>\n<p>This album works really well, and perhaps it could be used as a way to introduce more people to Shakespeare as its a far more interesting way to hear the words than in a dull and dreary lesson at school.<\/p>\n<p>Definitely an album worth listening to.  I really enjoyed it and I&#8217;m sure a lot of people will too.<\/p>\n<p>Track listing:<\/p>\n<p>1. Like as the waves make towards the pebbled shore &#8211; Sonnet 60<br \/>\n2. Thou blind fool love &#8211; Sonnet137<br \/>\n3. O, never say that I was false of heart &#8211; Sonnet109<br \/>\n4. How oft,when thou,my music playst &#8211; Sonnet128<br \/>\n5. Shall I compare thee to a summers day? &#8211; Sonnet18<br \/>\n6. Against that time &#8211; If ever that time come &#8211; Sonnet49<br \/>\n7. No longer mourn for me when I am dead &#8211; Sonnet71<br \/>\n8. Love is too young to know what conscience is &#8211; Sonnet151<br \/>\n9. When I do count the clock that tells the time &#8211; Sonnet12<br \/>\n10. Who will believe my verse in time to come &#8211; Sonnet17<br \/>\n11. Those lines that I before have writ do lie &#8211; Sonnet115<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is certainly an interesting concept &#8211; to take some of the best known classics from English literature &#8211; the words of William Shakspeare, and to turn them into songs by setting them to music. It&#8217;s one of those ideas that could work brilliantly well, or be a total failure. As if setting the words [&hellip;]<\/p>\n","protected":false},"author":295,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1670","post","type-post","status-publish","format-standard","hentry","category-cd_reviews"],"_links":{"self":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts\/1670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/users\/295"}],"replies":[{"embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1670"}],"version-history":[{"count":0,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts\/1670\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1670"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1670"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}