{"id":2002,"date":"2012-09-02T21:34:23","date_gmt":"2012-09-02T21:34:23","guid":{"rendered":""},"modified":"2012-09-02T21:34:23","modified_gmt":"2012-09-02T21:34:23","slug":"","status":"publish","type":"post","link":"https:\/\/www.livestagemusic.com\/?p=2002","title":{"rendered":"Chris Helme &#8211; The Rookery"},"content":{"rendered":"<p>Chris Helme first rose to fame as the front man of John Squire\u2019s post Stone Roses band \u2018The Seahorses\u2019.  His latest solo album, &#8221;The Rookery&#8221; was recorded in just 9 days at The Rookery, a country hideaway nestled in the wilds of the Yorkshire Dales.  That&#8217;s an impressive feat &#8211; 9 days is very little time to record a full album, but that shows his experience.<\/p>\n<p>&#8221;Pickled ginger&#8221; is an unsual track.  Opening with the what sounds like a double bass being tuned, it then moves into the main part of the track.  There&#8217;s some lovely gentle guitar and what sounds like woodwind instruments (but these days may be keyboards amde to sound like that), and the track gently meanders along.  It&#8217;s a beautiful track but it is very different to the rest of the album and as such feels out of place.<\/p>\n<p>&#8221;Longway round&#8221; is built around the acoustic guitar and vocals, and with its brisk pace it&#8217;s got a definite rock feel, but it really allows his voice to show it&#8217;s soulful side.<\/p>\n<p>&#8221;Darkest days&#8221; is slower and while still being based mainly around the guitar and vocals with the percussion kept to a minimum, it&#8217;s got a very different feel to it.  It&#8217;s another great track.<\/p>\n<p>For me though &#8221;The spindle &#038; cauldron&#8221; is the standout track.  It&#8217;s got a darker heavier feel to it, and for me sounds to have a sixties or seventies rock sound with it&#8217;s mix of darkness and the guitars &#8211; Led Zeppelin and Jefferson Airplane spring to mind.<\/p>\n<p>&#8221;Daddies farm&#8221; is a very different song &#8211; it&#8217;s still guitar driven but it has a much lighter Britpop feel to it, particularly with the strong chorus, giving the song a very different feel to &#8221;The spindle &#038; cauldron&#8221;<\/p>\n<p>This is a very diverse album, but despite that, &#8221;Pickled ginger&#8221; still feels out of place.  There&#8217;s no doubting it&#8217;s a great track, but it just doesn&#8217;t  belong on this album in my opinion.<\/p>\n<p>A very good album &#8211; well worth checking out.<\/p>\n<p>&#8221;The Rookery&#8221; is out now via Little Num Num Music <\/p>\n<p>Track listing:<\/p>\n<p>1. Pickled ginger<br \/>\n2. Longway round<br \/>\n3. Darkest days<br \/>\n4. Plane<br \/>\n5. The spindle &#038; cauldron<br \/>\n6. Blindeye<br \/>\n7. Pleased<br \/>\n8. Daddies farm<br \/>\n9. Summer girl<br \/>\n10. Set in stone<br \/>\n11. Good to be in love<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chris Helme first rose to fame as the front man of John Squire\u2019s post Stone Roses band \u2018The Seahorses\u2019. His latest solo album, &#8221;The Rookery&#8221; was recorded in just 9 days at The Rookery, a country hideaway nestled in the wilds of the Yorkshire Dales. That&#8217;s an impressive feat &#8211; 9 days is very little [&hellip;]<\/p>\n","protected":false},"author":295,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2002","post","type-post","status-publish","format-standard","hentry","category-cd_reviews"],"_links":{"self":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts\/2002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/users\/295"}],"replies":[{"embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2002"}],"version-history":[{"count":0,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts\/2002\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2002"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2002"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}