Napalm\/Sound Pollution<\/p>\n
LIV KRISTINE has been on top of her game since the mid-nineties, and she will always be the first angelic voice in gothic music. Romanticism and the supernatural is always involved in her lyrics, but the bands and co-operations involves THEATRE OF TRAGEDY, LEAVE`S EYES, as well as a joint venture with CRADLE OF FILTH, and efforts with Nick Holmes of PARADISE LOST and various TV-scores. Here she is, almost on her own, but there is of cause a duet with with the German winner of \u201cPop Idol\u201d Tobias Regner. <\/p>\n
The opening \u201cInterlude\u201d involves piano notes and a cozy rhythm, but that is basically it. \u201cSolve Me\u201d boosta affine refrain but also fetures of pop music, while \u201cSilence\u201d carries on in the same mood as the openrer, maybe even more sedated, adds some violin, and gets rockier towards the end. The moody style, the crystal clear voice, the piano, the occasional synth, the gentle drumming, it all repeats itself during the album. After a few spins the word repetitious lingers. But there is also the highly rewarding duet \u201cVanilla Skin Delight\u201d, the modern rocker of a title track, the gentle soft rock of the contagious \u201cPanic\u201d, the flowing refrain of \u201cParis Paris\u201d and the positive ending of \u201cThe Man with the Child in His Eyes\u201d. Still the 50\/50 rule of entertaining modernism and drowsy one-dimensional half-developed ides is prominent. <\/p>\n
Track List
\nInterlude
\nSolve Me
\nSilence
\nVanilla Skin Delight
\nParis Paris
\nWait for Rain
\nLove Crime
\nLibertine
\nMeet Me in the Red Sky
\nThe Man with the Child in His Eyes<\/p>\n
www.napalmrecords.com www.myspace.com\/livkristinepage <\/p>\n","protected":false},"excerpt":{"rendered":"
Napalm\/Sound Pollution LIV KRISTINE has been on top of her game since the mid-nineties, and she will always be the first angelic voice in gothic music. Romanticism and the supernatural is always involved in her lyrics, but the bands and co-operations involves THEATRE OF TRAGEDY, LEAVE`S EYES, as well as a joint venture with CRADLE […]<\/p>\n","protected":false},"author":120,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2162","post","type-post","status-publish","format-standard","hentry","category-cd_reviews"],"_links":{"self":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts\/2162","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/users\/120"}],"replies":[{"embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2162"}],"version-history":[{"count":0,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts\/2162\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2162"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2162"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}