Escape Music\/Sound Pollution<\/p>\n
EDGE is an overused word in the hard rock etc. business. But in this case I\u00b4ll make an exception. EDGE hails from Karlskoga in Sweden, and started life as a project. Jonas Forss, vocals, guitars, keyboards, and Tobias Andersson (SHADOWLAND, SEVEN WISHES), keyboards, guitars, shared musical dreams and had spent a lot of time in bands together. When they had 12 songs recorded they needed enforcements and called upon bass player Torbj\u00f6rn Brogren (HEADS OR TALES), and drummer Olle Rodehn of SHADOWLAND. A short time later they were approached by quite a few record companies, the info says, and chose Escape. So, how good are they?<\/p>\n
This album is like a time travel. There is nothing new here, but the gentle touch that adds greatness to the likes of the cozy \u201cLittle Girl\u201d, the driven refrain of \u201cHow Long\u201d, the Scandinavian handcraft of \u201cI Could Never Live\u201d, the hit feeling of \u201cRight Now\u201d and the TOTO-JOURNEY-isms of \u201cThe End of the World\u201d is a rare thing. The least exciting moment is \u201cTo Hell and Back\u201d, which is simply a bit less inspired than the other ten. There is a bit of shredding squeezed in here, but the main thing is the melodies and the touch of the old masters. If you like that, you cannot miss out on this one.<\/p>\n
Track List
\nLittle Girl
\nHow Long
\nNowhere to Hide
\nGet Over It
\nI Believe in Love
\nThere Is No Other Way
\nI Could Never Live
\nRight Now
\nTo Hell and Back
\nThrough That Door
\nThe End of the World<\/p>\n
www.escape-music.com www.facebook.com\/edgebandofficial <\/p>\n","protected":false},"excerpt":{"rendered":"
Escape Music\/Sound Pollution EDGE is an overused word in the hard rock etc. business. But in this case I\u00b4ll make an exception. EDGE hails from Karlskoga in Sweden, and started life as a project. Jonas Forss, vocals, guitars, keyboards, and Tobias Andersson (SHADOWLAND, SEVEN WISHES), keyboards, guitars, shared musical dreams and had spent a lot […]<\/p>\n","protected":false},"author":120,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2455","post","type-post","status-publish","format-standard","hentry","category-cd_reviews"],"_links":{"self":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts\/2455","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/users\/120"}],"replies":[{"embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2455"}],"version-history":[{"count":0,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts\/2455\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2455"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2455"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2455"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}