{"id":691,"date":"2010-11-18T19:34:37","date_gmt":"2010-11-18T19:34:37","guid":{"rendered":""},"modified":"2010-11-18T19:34:37","modified_gmt":"2010-11-18T19:34:37","slug":"","status":"publish","type":"post","link":"https:\/\/www.livestagemusic.com\/?p=691","title":{"rendered":"Machinae Supremacy: A View From the End of the World"},"content":{"rendered":"<p>Spinefarm\/Universal<\/p>\n<p>Lule\u00e5bandet MACHINAE SUPREMACY spelar \u201cSID-metal\u201d, inspirerade av SID\/6581, ljudinterfacet i en gammal C64. En variant av cybermetal kanske. De har skrivit musik till spelet Jets\u00b4n Guns (2005), och sl\u00e4ppt tv\u00e5 egenh\u00e4ndigt utgivna skivor; \u201dDeus Ex Machinae\u201d (2004) och \u201dRedeemer\u201d (2006), innan de hamnade p\u00e5 Spinefarm. Sedan kom en \u00e5terutgivning av \u201dRedeemer\u201d innan det var dags f\u00f6r bolagsdebuten \u201dOtherworld\u201d (2008). Alla i bandet har smeknamn; s\u00e5ngaren Robert \u201dGaz\u201d Stj\u00e4rnstr\u00f6m, gitarristen Jonas \u201dGibli\u201d R\u00f6rling, gitarristen\/keyboardisten Andreas \u201dGordon\u201d Gerdin, basisten Johan \u201dDezo\u201d Hedlund, och trummisen Niklas \u201dNicky\u201d Karvonen. Unikt och catchy s\u00e4gs det, vi k\u00f6r p\u00e5. <\/p>\n<p>Titell\u00e5ten blippar lite som en gammal dator men grunden \u00e4r melodi\u00f6s h\u00e5rdrock med bett i refr\u00e4ngen. Det lite syntiga bloppandet ger dem en touch av en 80-talskeyboardist on acid. Samtidigt \u00e4r de noga med att h\u00e5lla refr\u00e4ngerna fria fr\u00e5n hysteriska slingor. Roberts r\u00f6st \u00e4r behaglig att lyssna p\u00e5 och det g\u00e5r inte att s\u00e4ga emot att de l\u00e5ter egenartat. De kan s\u00e4kert framst\u00e5 som cyber-BON JOVI \u00e5r 2010, men beh\u00f6ver h\u00e5lla ihop skivan b\u00e4ttre. Efter nio utstickare med h\u00f6jdare som titell\u00e5ten och \u201dShinigami\u201d \u00f6verg\u00e5r de till en blek modern NICKELBACK-rock. \u00c4nd\u00e5 \u00e4r det roligt att h\u00f6ra 80-talshumorn i \u201dCrouching Camper Hidden Sniper\u201d, och ett bra modernt rockband hade g\u00e4rna tagit \u00f6ver \u201dThe Greatest Show On Earth\u201d. Kontentan blir att detta \u00e4r en f\u00f6rv\u00e5nande skiva som tyv\u00e4rr lider av schizofreni p\u00e5 andra halvan. <\/p>\n<p>Track List<br \/>\nA View From the End of the World<br \/>\nForce Feedback<br \/>\nRocket Dragon<br \/>\nPersona<br \/>\nNova Prospekt<br \/>\nWorld of Light<br \/>\nShinigami<br \/>\nCybergenesis<br \/>\nAction Girl<br \/>\nCrouching Camper Hidden Sniper<br \/>\nIndiscriminate Murder Is Counter-Productive<br \/>\nOne Day in the Universe<br \/>\nThe Greatest Show On Earth<br \/>\nRemanant (March of the Undead IV)<\/p>\n<p>www.spinefarm.fi www.myspace.com\/machinaesupremacy <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Spinefarm\/Universal Lule\u00e5bandet MACHINAE SUPREMACY spelar \u201cSID-metal\u201d, inspirerade av SID\/6581, ljudinterfacet i en gammal C64. En variant av cybermetal kanske. De har skrivit musik till spelet Jets\u00b4n Guns (2005), och sl\u00e4ppt tv\u00e5 egenh\u00e4ndigt utgivna skivor; \u201dDeus Ex Machinae\u201d (2004) och \u201dRedeemer\u201d (2006), innan de hamnade p\u00e5 Spinefarm. Sedan kom en \u00e5terutgivning av \u201dRedeemer\u201d innan det var [&hellip;]<\/p>\n","protected":false},"author":120,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-691","post","type-post","status-publish","format-standard","hentry","category-cd_reviews"],"_links":{"self":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts\/691","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/users\/120"}],"replies":[{"embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=691"}],"version-history":[{"count":0,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts\/691\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=691"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=691"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=691"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}