{"id":887,"date":"2011-04-29T09:22:37","date_gmt":"2011-04-29T09:22:37","guid":{"rendered":""},"modified":"2011-04-29T09:22:37","modified_gmt":"2011-04-29T09:22:37","slug":"","status":"publish","type":"post","link":"https:\/\/www.livestagemusic.com\/?p=887","title":{"rendered":"Hades: Live on Location"},"content":{"rendered":"<p>Cyclone Empire\/Sound Pollution<\/p>\n<p>Guitarist Dan Lorenzo seems perfectly clear that this is the one of their albums that is the most underrated. \u201cLive On Location\u201d became a memory of a single reunion. Most of the originals are there, plus Ed Fuhrman on guitars; Alan Tecchio, vocals, Dan Lorenzo, guitars, Jimmy Schulman, bass, and Tommy Coombs, drums. <\/p>\n<p>\u201cPrepare yourselves for the one and only HADES\u201d, Alan shouts. The obvious opener \u201cThe Leaders?\u201d will never disappoint, and that goes for old fans and newcomers to the band alike. The sound is good, the audience is not overdone and I always enjoy Jimmy\u00b4s bass lines. The talk in between songs is really tight, bordering on familiar. \u201cKing in Exile\u201d feels better live than on the studio album, and the band feels sickly tight. They had not played together for a while when this night happened. A true great, is the speedy \u201cOpinionate!\u201d. HADES was faster and more technical than the Big Four, perhaps their biggest mistake? The audience in 1991 seems to see or hear absolutely nothing faulty with the band. There is not much to complain about from that night, but my fave \u201cAftermath of Betrayal (The Tragedy of\u2026)\u201d feels strangely direction and pointless. They also perform the unusual live addition \u201cThe Cross\u201d with flying colors. As with \u201cIf at First You Don\u00b4t Succeed\u201d the bonuses are the blandest part. They show their 90\u00b4s influences with \u201cGamblin\u00b4 with Your Life\u201d and they show that they are still capable of showing off with speedy thrash like \u201cBet\u00e9 Noir\u201d. The rest of the six tracks are somewhere in betwixt those outskirts. Perhaps this is the most worthy purchase of the lot, I\u00b4ll agree with Dan Lorenzo!<\/p>\n<p>Track List<br \/>\nThe Leaders?<br \/>\nKing in Exile<br \/>\nOn the Iliad<br \/>\nIn the Meantime<br \/>\nOpinionate!<br \/>\nRebel without a Brain<br \/>\nA<br \/>\nRape of Persephone<br \/>\nThe Cross<br \/>\nFace the Fat Reality<br \/>\nI Too Eye<br \/>\nAftermath of Betrayal<br \/>\nNightstalker<\/p>\n<p>Bonus Tracks<br \/>\nDiplomatic Immunity -Live in the Studio<br \/>\nM.E.S. (Technical Difficulties)- Live in the Studio<br \/>\nDeter My Nation &#8211; Live in the Studio<br \/>\nNot a Part of Your Life &#8211; Live in the Studio<br \/>\nGamblin\u00b4 with Your Life &#8211; Live in the Studio<br \/>\nBet\u00e9 noir &#8211; Live in the Studio<\/p>\n<p>www.cyclone-empire.com www.myspace.com\/hadesusa<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cyclone Empire\/Sound Pollution Guitarist Dan Lorenzo seems perfectly clear that this is the one of their albums that is the most underrated. \u201cLive On Location\u201d became a memory of a single reunion. Most of the originals are there, plus Ed Fuhrman on guitars; Alan Tecchio, vocals, Dan Lorenzo, guitars, Jimmy Schulman, bass, and Tommy Coombs, [&hellip;]<\/p>\n","protected":false},"author":120,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-887","post","type-post","status-publish","format-standard","hentry","category-cd_reviews"],"_links":{"self":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts\/887","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/users\/120"}],"replies":[{"embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=887"}],"version-history":[{"count":0,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts\/887\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=887"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=887"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=887"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}