Peter T\u00e4gtgrens k\u00e4nsla f\u00f6r att kombinera industriell metal med poppiga melodier g\u00e5r inte att ta miste p\u00e5. \u201dThe great pretender\u201d \u00e4r ett av m\u00e5nga exempel p\u00e5 den h\u00e4r skivan. Den omedelbara hiten st\u00e5r ut som det b\u00e4sta sp\u00e5ret p\u00e5 en skiva som \u00e4r bra, men inte bjuder p\u00e5 n\u00e5gra \u00f6verraskningar.<\/p>\n
Sedan \u201dNothing Remains The Same\u201d (2002) har jag gillat Pain. \u201dDancing With The Dead\u201d (2005) h\u00e5ller jag som m\u00e4sterverket, sen har bandet sl\u00e4ppt tv\u00e5 skivor som varit mindre intressanta. \u201dPsalms of Extinction\u201d (2007) \u00e4r v\u00e4l helt okej, b\u00e4st \u00e4r den i \u201dZombie slam\u201d n\u00e4r man tar ut sv\u00e4ngarna och Peter T\u00e4gtgren tar fram en helt ny r\u00f6st. <\/p>\n
Nya skivan b\u00f6rjar med en k\u00e4ftsm\u00e4llen \u201dLet me out\u201d, som s\u00e4tter st\u00e4mningen direkt. Titelsp\u00e5ret \u00e4r kanske den mest intressanta l\u00e5ten p\u00e5 skivan. H\u00e4r tar man det b\u00e4sta fr\u00e5n Ennio Morricones \u201dThe ecstasy of gold\u201d och Pains egen \u201dSame old song\u201d och kombinerar det till en episk melodi.. I \u201dMonster\u201d trappas tempot upp igen. T\u00e4gtgren g\u00f6r en riktigt aggressiv insats med s\u00e5ngen, i ett av skivans b\u00e4sta sp\u00e5r. <\/p>\n
Det \u00e4r en riktigt bra, stabil skiva, som inte kommer g\u00f6ra n\u00e5gon besviken. Men som sagt, inga \u00f6verraskningar. Mer av \u201dZombie slam\u201d-varan hade varit intressant att h\u00f6ra.<\/p>\n
Tracklist:<\/p>\n
Let me out
\nFeed the demons
\nThe great pretender
\nYou only live twice
\nDirty women
\nWe want more
\nLeave me alone
\nMonster
\nSeason of the reaper<\/p>\n","protected":false},"excerpt":{"rendered":"
Peter T\u00e4gtgrens k\u00e4nsla f\u00f6r att kombinera industriell metal med poppiga melodier g\u00e5r inte att ta miste p\u00e5. \u201dThe great pretender\u201d \u00e4r ett av m\u00e5nga exempel p\u00e5 den h\u00e4r skivan. Den omedelbara hiten st\u00e5r ut som det b\u00e4sta sp\u00e5ret p\u00e5 en skiva som \u00e4r bra, men inte bjuder p\u00e5 n\u00e5gra \u00f6verraskningar. Sedan \u201dNothing Remains The Same\u201d […]<\/p>\n","protected":false},"author":313,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-993","post","type-post","status-publish","format-standard","hentry","category-cd_reviews"],"_links":{"self":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts\/993","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/users\/313"}],"replies":[{"embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=993"}],"version-history":[{"count":0,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=\/wp\/v2\/posts\/993\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.livestagemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}